In this case, the soccer ball always sits in the dead center of the image and though it rolls and is kicked up several times, this is entirely an effect that is created in post. When an object is continuously recentered in the frame, it draws in the audiences’ attention and has the effect of making that object seem like the center of the universe. So if you normally bounce a grading pass thru SG 2-3 times like I do, the 2015 **CURRENT** situation may not be what you can work with.Keyframing animations by hand is a tedious task, but this example of how to keep a moving object centered in Premiere by Javier Mercedes is well worth the extra effort. if you need to say, mask a sky, apply a second lumetri layer in PP and mask the 2nd application with the PP effect mask tool.įor a TV series I'm about to start grading, we are staying on 2014 for now :(… or maybe PP2015 + resolve but thats not nearly as slick a workflow as PPSG. So basically **FOR NOW** its a one way round trip. Well what if you aren't quite happy with what you did in SG ? send it back to SG and the SG grade layer is now no longer editable. when its back in PP however, in the Lumetri panel now shows a new " Speedgrade Special" uneditable control. You can do all the usual SG things here and when done, send it back.
in SG the PP lumetri panel shows up as its own *uneditiable* layer for now within SG, and you have a new standard SG correction layer above it. However, round tripping with SG is an entirely different beast. its probably the best part of the entire panel for shot matching. the color saturation wheel makes matching skin tones from different cameras much easier.
I've been using this extensively for a while.
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